Bach Bibliography Search Result

Author : Franklin, Don O.
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Franklin, Don O.	Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis. [BWV 46]	ArolserBeitrMf	7		1999	181-206
	2.	Franklin, Don O.	The Carnegie Manuscript and J. S. Bach.	Bach	22	1	Spring-Summer 1991	5-15
	3.	Franklin, Don O.	In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015).	Bach	46	1	2015	1
	4.	Franklin, Don O.	'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. [BWV 67]	Bach	46	1	2015	2-28
	5.	Franklin, Don O.	Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective.	Bach	46	1	2015	29-48
	6.	Franklin, Don O.	Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa.	Bach	48	1	2017	76-92
	7.	Franklin, Don O.	Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Listening to and Performing Bach.	Bach	51	2	2020	241-258
	8.	Franklin, Don O.	Bill Scheide: Pioneer and Promoter of Bach's Music. http://www.americanbachsociety.org/Newsletters/BachNotes11.pdf	BachNotesABS		11	Spring 2009	7-8
	9.	Franklin, Don O.	The 2009 Montreal Bach Symposium -- A Conference Report. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf	BachNotesABS		12	Winter 2010	2
	10.	Franklin, Don O.	George J. Buelow (March 31, 1929 -- March 30, 2009) http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf	BachNotesABS		12	Winter 2010	11
	11.	Franklin, Don O.	Don O. Franklin named Honorary Member. http://www.americanbachsociety.org/Newsletters/BachNotes22.pdf	BachNotesABS		22	Spring 2015	1-2
	12.	Franklin, Don O.	Remembrance of Martin Petzoldt. In Memoriam: Martin Petzoldt (13 April 1946-13 March 2015).	BachNotesABS		23	Fall 2015	4-6
	13.	Franklin, Don O.	Alfred Mann (1917-2006): A Personal Reminiscence. http://www.americanbachsociety.org/Newsletters/BachNotes06.pdf	BachNotesABS		6	Fall 2006	18-19
	14.	Franklin, Don O.	Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie.	BachSt	10		1991	280-301
	15.	Franklin, Don O.	Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021).	BachStud	1		1989	240-278
	16.	Franklin, Don O. (ed.)	Bach Studies. [1] Cambridge University Press, 1989. 362p. ISBN: 0532 341051. - Paperback edn. 2008, 380p. ISBN-13: 978-0521088329.	BachStud	1		1989	362p
	17.	Franklin, Don O.	Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge.	BeitrBachF	9-10		1991	138-156
	18.	Franklin, Don O.	The Carnegie Manuscript and J. S. Bach.	CarnegieMag	60	7	1991	20-25
	19.	Franklin, Don O.	The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective.	[cr]Amsterdam1993			1995	179-203
	20.	Franklin, Don O.	A Guide to the Temporal Structure of the 1733 Missa. A new article based on his paper given at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.	[cr]Belfast2007	2		2007	446-458
	21.	Franklin, Don O.	Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38.	[cr]Eisenach1996			1999	129-144
	22.	Franklin, Don O.	Articulation in the cembalo works of J. S. Bach: A notational study.	[cr]Stuttgart1985			1987	ii: 452-465
	23.	Franklin, Don O.	'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach.	[cr]Stuttgart1995			1998	229-248
	24.	Franklin, Don O.	The Role of Time Signatures in Bach's Composition of Jahrgang I.	DortmundBachF	3		2002	329-356
	25.	Franklin, Don O.	Viewing the Goldberg Variations as a musico-mathematical matrix.	DortmundBachF	6		2003	231-250
	26.	Franklin, Don O.	Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt.	EarlyKStudNL	6	1	1991	1-6
	27.	Franklin, Don O.	The Missing Adagio.	EarlyMReview		119	Jun 2007	12-13
	28.	Franklin, Don O.	The Fermata as Notational Convention in the Music of J. S. Bach.	FestschriftSer	10		1992	345-381	[fs]Ratner
	29.	Franklin, Don O.	The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion.	[fs]Leaver65			2007	121-139
	30.	Franklin, Don O.	Viewing the poetic texts in Bach's Matthew Passion from a new perspective.	[fs]Petzoldt65			2011	67-77
	31.	Franklin, Don O.	Composing in time: Bach's temporal design for the Goldberg Variations.	IrishMStud	8		2004	103-128
	32.	Franklin, Don O.	Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733. Übersetzung von Ulrich Leisinger.	LeipzigerBeitrBachF	5		2002	235-272
	33.	Franklin, Don O.	Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I.	MwSchr	38		2002	147-160	[fs]Siegele70
	34.	Franklin, Don O.	Bach and the Oratorio Tradition. A Keynote Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania	[p]ABS_Bethlehem			May 2008
	35.	Franklin, Don O.	Problems of Tempo in J. S. Bach's Music. A paper read at the Forty-Eighth Annual Meeting of the American Musicological Society, November 4-7, 1982 at The University of Michigan, Ann Arbor.	[p]AMS_Michigan			Nov 1982
	36.	Franklin, Don O.	Problems of Tempo in the Keyboard Works of J. S. Bach. A paper read at the Mid-Atlantic Chapter meeting of the AMS on March 4, 1984 at West Chester State College.	[p]AMS_MidAtlantic			Mar 1984
	37.	Franklin, Don O.	Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. A paper read at the Forth-Second Annual Meeting of the American Musicological Society, Meeting Jointly with the College Music Society, November 4-7, 1976 at Bellevue-Stratford Hotel, Philadelphia.	[p]AMS_Philadelphia			Nov 1976
	38.	Franklin, Don O.	Textual Problems in Bach's W.T.C. A paper given at the Rocky Mountain Chapter meeting of the AMS on April 22-23, 1977.	[p]AMS_RockyMountain			Apr 1977
	39.	Franklin, Don O.	The Music for Keyboard. A paper read at the South Central Chapter meeting of the AMS on 11-13 April 1985 at the University of Georgia under the session 'Perspectives on Bach Performance Practices'.	[p]AMS_SouthCentral			Apr 1985
	40.	Franklin, Don O.	Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.	[p]BCB_Dublin			Jul 2000
	41.	Franklin, Don O.	Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004	[p]BICB_Manchester			Jul 2004
	42.	Franklin, Don O.	Viewing the Goldberg Variations as a musico-mathematical matrix. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002.	[p]BS_Dortmund			Jan-Feb 2002
	43.	Franklin, Don O.	The 6/4 Time-signature as Sign and Symbol. 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.'	[p]IATB_Chicago			Sep 1997
	44.	Franklin, Don O.	The Role of 'Tacktarten' in Bach's composition of the chorale cantatas. Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark.	[p]IATB_Logumkloster			Oct 1999
	45.	Franklin, Don O.	The relationship between the theological and temporal dimension of the Matthew Passion. Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000.	[p]IBS_Utrecht			Sep 2000
	46.	Franklin, Don O.	Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers. Paper read at Internationales Symposium mit Vorträgen, Seminaren und Konzerten zum 70. Geburtstag von Ulrich Siegele in Schloss Köthen (Anhalt) 11.-15. Oktober 2000: 'Johann Sebastian Bach: Das Wohltemperirte Clavier I (Köthen, 1722): Tradition - Entstehung - Funktion - Analyse'.	[p]IS_Köthen			Oct 2000
	47.	Franklin, Don O.	Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach. Paper read at a conference on 'Die Quellen Johann Sebastian Bachs: Bachs Musik im Gottesdienst' held on 4-8 October 1995 in Stuttgart.	[p]QJSB_Stuttgart			Oct 1995
	48.	Franklin, Don O.	C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio. Passion, Affekt und Leidenschaft in der Frühen Neuzeit. 11. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung in der Herzog August Bibliothek Wolfenbüttel vom 2. bis 5. April 2003	[p]WAfB_Wolfenbüttel			Apr 2003
	49.	Franklin, Don O.	Proportionen und Dimensionen in der Missa in h. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.	[p]WK_Leipzig			Jan 2000
	50.	Franklin, Don O.	Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody.	WolfenbüttelArbBarockF	43		2005	ii: 655-672